|
001 Da 'V' Code |
| A dream come true for synthesists — the ability to play a vocal phrase. Thanks to VariPhrase technology, only the V-Synth Series allows vocal phrases to be played and performed musically. The vocal's timing can be controlled with the TimeTrip Pad and D Beam; formant can be controlled with an assignable knob in realtime. This patch shows the possibilities only available from the V-Synth series. |
|
 |
002 Solar Circle |
| A pad sound that’s being modulated rhythmically by a VariPhrase-encoded phrase sample. This allows the phrase to be played — again, only possible with the V-Synth Series. Check out each controller, and listen to the exciting results. |
|
|
003 Mystic Rap |
| This patch uses the MultiStep Modulator, a newly added function to System Version 2.0. A VariPhrase-encoded audio phrase sample is being pitch/pan-modulated with the StepModulator, allowing the phrase to be played from the keyboard. |
|
|
004 V-Screamer |
| A wild distorted guitar sound created by one of the world’s top V-Synth artists: Tatsuya Nishiwaki. A variety of interesting and expressive tonal changes can be made in real time. |
|
|
005 VA KIT |
| A Rhythm patch using multiple zones. The rhythm pattern is driven by the arpeggiator. By turning off the arpeggiator, the individual drum sounds can be played manually. |
|
|
006 Arkestra |
| A string sound made from a PCM oscillator and analog-modeling SuperSaw waveform, with the SideBand Filter added to create a unique ambient feel. It showcases a new application for the SideBand Filter. |
|
|
007 PhysicalBass |
| A simple-but-versatile synth-bass sound. This patch was created by Tatsuya Nishiwaki, who uses the patch in live performances and recording sessions. |
|
|
008 Trippin' EP |
| An electric piano sound with a unique floating feel created by the SideBand filter. The filter can be controlled in real time with TimeTrip Pad. |
|
|
009 Oriental Vox |
| A solo-voice sound using VariPhrase, created by David Ahlund. The TimeTrip Pad allows complex forward and backward scan modulation. |
|
|
010 Arp Drops |
| Created by electronica pioneer/producer/composer BT. It may seem like a standard arpeggiated sound at first, but it can be "played" with keyboard too. A WaveShaper is assigned to COSM 2, adding an edge to the sound. |
|
|
011 OceanOfSaws |
| A patch that uses the newly added SuperSaw analog-modeling waveform for fat textures with multiple detunable saw waves. Operation is analog-synth-like —fun and practical. |
|
|
012 Mellow Winds |
| Ex-Japan synthesist Richard Barbieri created this patch for his latest works and for live performance. It's a Lo-Fi flute-like sound with a unique ambient feel. |
|
|
013 Outsider |
| Made by Stephane Pigeon, who has created various Roland synth patches since the JD-800. He makes the most out from the SideBand Filter, adding fatness to the sound in this case. Play with the TimeTrip Pad for interesting phrase effects. |
|
|
014 Tek-Brass |
| A classic SuperSaw sound used in trance music. Experiment with adjustments to the envelopes in realtime. |
|
|
015 Touch Return |
| Made by Keith Hillebrandt, sound designer for Nine Inch Nails. A metallic pad created by the SideBand Filter changes dramatically with the D Beam, TimeTrip Pad, and pitch/mod lever. |
|
|
016 Slow Motion |
| Heavy loop sound made from the combination of a VariPhrased rhythm and a pad sound. Effects processing distorts the sound wildly. |
|
|
018 TB or not TB |
| Created by David Ahlund, this patch changes with D Beam and TimeTrip Pad modulation in cool, interesting ways. |
|
|
019 Glass Organ |
| Richard Barbieri created this transparent pad sound. Open the Oscillator pages and you'll see that only a couple of sine waves are being used to create this subtle texture. A masterpiece! |
|
|
020 JUNO Bass 1 |
| Roland's classic JUNO bass sound is emulated here. There is a JUNO waveform in the V-Synth's analog-modeling oscillator, but here a straight square wave is used to simulate the popular sound. Another example of classic-synthesis emulation on the V-Synth. |
|
|
021 PushTheBeat |
| A vocoder-like sound using VariPhrase. As with Patch 001, it's another great example of playing a vocal phrase in ways made possible only by the V-Synth. |
|
|
023 FbackOSC TT |
| Aggressive lead sound using the new Feedback oscillator. Have fun with the D Beam and TimeTrip pad. |
|
|
027 Solo Wah Saw |
| A synth lead sound with a filtered wah effect. What might seem like a standard synth sound is actually comprised of some interesting V-Synth tricks. |
|
|
028 Voco Motion |
| A pad sound featuring the new StepModulator. Oscillator formant is modulated, as well as filter and amplitude. |
|
|
029 Flare Star |
| Play sustained notes and listen as the SideBand Filter gradually evolves in time. Key velocity also adds dynamic sound changes. |
|
|
032 RhythmThroat |
| Jordan Rudess of Dream Theater created this patch. He features the COSM Resonator, and modulates oscillator formant and filter with the StepModulator. |
|
|
|
